Fiction Endings: Should You Leave an Open Ending?



Posted: Tuesday, May 20, 2008

by
Bristol Services Intl.

A writer-client recently sent in a manuscript which left what he called an "open" ending, meaning no end or conclusion at all. He had some great rationalizations for this approach and, yes, there are critically-acclaimed books that leave readers needing to decide, for themselves, how the story really ends. But does that mean publishers like this approach? Or that readers enjoy them? Not necessarily.

Sometimes an established author can pull off an end-less book, mostly because they already have a readership willing to buy their book. But for newer writers, consider the value of the conclusion to any book. This pertains to both fiction and memoirs.

WRITING FICTION: In fiction, one of the prime reasons reader spend their precious few spare hours reading is to enjoy a sense of completion in something in their life. Let's face it: too much of our lives are already without ends, incomplete, and tediously endless. In fiction they SEEK something that gives them an "Ahhh" satisfaction on that final page.

WRITING MEMOIRS: As for memoirs, I fully understand the desire to not "finalize" your life's story. Life doesn't fit neat niches anyway and there can be seemingly too much to summarize, or to admit to, or to bask in. I agree that the last thing you or the reader wants is a sense of apology or rationalization of your life. Gosh, if regrets were food we'd all be fat as hogs! An ending, however, doesn't have to be "I now realize this and that and my purpose in life is this." A better and more truthful and touching (to readers) ending is to admit that you DON'T understand all the bits and pieces but that you do see the pattern or fabric that these threads of experiences have created. Then look for a single sentence somewhere in the manuscript that serves as a rounding out of the story as a whole and consider making that part of the final statement.

THE AUTHOR'S PROMISE: Allowing readers to form their own conclusion, whether in fiction or memoir, is kind of an excuse (oops, sorry about such blatant honesty) for not fulfilling an important part of the pact an author enters into with the reader: When readers start any book, they agree to read to the end -- and you agree to give them one. And, yes, they will STILL draw their own conclusion, no matter what you end with. But at least you will have fulfilled your part of the bargain.

In conclusion (yes, articles, too, benefit from conclusions!), writing is about communicating an idea. And without a conclusion of some sort, the idea remains incomplete, no more than a dangling bunch of words that float off, leaving the audience dissatisfied.

Sandra E. Haven has had her articles and fiction published in the U.S. and Europe, from short fiction to human interest articles, mainstream to genre. Since 1990 she has provided comprehensive editing services with an emphasis on mysteries, fantasies, stories for children as well as memoirs, resulting in publication for numerous authors. For more information see Bristol Editing Services.
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Top-level comments on this article: (1 total)
» left by Anonymous 3 years 124 days ago.
I'm a writer, and I don't believe I'm obligated to give closure. Am I lazy? No. You make the case that memoirs don't need to finalize, because "Life doesn't fit neat niches anyway and there can be seemingly too much to summarize, or to admit to, or to bask in."
 
But isn't fiction the crafting of realities, of life?
» left by Sandra Haven 3 years 123 days ago.
3 fans.
Ah, yes, fiction is the crafting of the realities of life ... but with a bit of a twist: many (most?) readers look to fiction simply because it does provide endings for life's complexities. Possibly you are writing toward the "literary" market, which offers more reality and less fiction, more experimentation and less structure. Which is just fine! There is a market for the literary novel. Most of my clients, however, seek publication in the commercial and genre markets. And publishers in those fields prefer fiction that ties up at least the major plot threads when readers get to "The End." 
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